[kFoyauextlH]

My Art, in the forms of writing (even these posts) and painting and whatever else seems to be all about expressing primal reasoning and primal aspiration. Its all about visceral mechanics and structures and limitations hidden due to invisibility which end up shaping things as they try to fill out the spaces. My art is about borders, and discovering the edges of all things which define the shapes of character, and are defended then through ethics.

My art is about hypnotism and soul or spiritual domination and replication.

My art is about aimless fire and wanton rebellion that leads nowhere except to show the shape of things.

My art is distant, its big picture work, that delves deep to reveal things which lose touch because they are too horrendous to grasp or accept as serious.

“This has got to be a joke” “they can’t really be serious” “there is nothing in this, it is meaningless” “this is just ugly and pointless”.

My art is about monstrosity, ever pervadingball aspects of existence, the elephant in the room which no one can admit to or relate to.

My art is about the familiar alien, self-ejected, the desire of animal-kind which is its hot shame.

My art is about damnation and hell, the hell of immortal devouring consuming fire, arbitrary and violent greed, and the harnessing of all sin and karma disruptive actions as the engine of life.

My art is Anti-Natural and Trans-human, except that it is very natural and very human to be opposed to nature and work against it.

My art is about strain, war, and ultimately suffering, not in a sympathetic way, but in a way which admits to it hatefully. It isn’t about crying for the disabled, but feeling the rage of the broken and lost and drawing upon their deepest fantasies.

This takes place in all my art. These are the things my art is about and what fuels it.

Someday I hope to have a great deal of art available for public viewing and consumption.

What is your art about or what are your major themes of obsession?

Mine is all about rigorous pain and passion, it has always been that way, about drums and chaos and terror and manifestations of fire and rage and misanthropy and misotheism and hatred which is why I like monsters. They reflect primal aspiration and truthful desire, we want power and fear and strength, and are pathetic, and the more pathetic we find ourselves, the more our terror and desire to induce fear grows and our hope to ravage and bite hard the world and make it bleed and suck the blood out and spit it on its face and smash it. No amount of smashing is good enough or violent enough and my art is Anti-Violence, Anti-Depictions of crudeness or natural things or victimization or suffering.

I have specific filters to make sure no form of competition exists in my art, no real struggle. The Pain is in the Form, the Structure itself is contorted due to its limitations or boundaries and barriers, but the most torturous thing you can do to a writhing beast fullnof angst is give it nothing to destroy or attack, which only makes it howl in all the more terrible agony which iscthe representation of animal/human kind and their driving frustration.

[Author]

Posts